Annonces classées | Enchères | Appel d'offres | Emplois | Circulaires | Nos Hebdos | Interurbain | Rencontre en ligne
Transcontinental
Les Nouvelles Saint-Laurent News
Entete Acceuil1 STL
Envoyer ce texte à un ami Imprimer cette page Réagissez à cet article

The women of Oratorio Terezin

Kleinmann Symposium on the Holocaust at Vanier College

Pascal LeBlanc par Pascal LeBlanc
Voir tous les articles de Pascal LeBlanc
Article mis en ligne le 17 avril 2008 à 17:10
Soyez le premier à commenter cet article
The women of Oratorio Terezin
The Vanier College Choir conducted by Erica Phare sang excerpts from Oratorio Terezin during the 15th Annual Kleinmann Symposium on the Holocaust. (Photo: Robert Del Tedici)
The women of Oratorio Terezin
Kleinmann Symposium on the Holocaust at Vanier College
Composer Ruth Fazal’s visit at Vanier College on April 16 was the high point of the 15th Annual Kleinmann Symposium on the Holocaust. The people in attendance even had the privilege to hear excerpts from Mrs. Fazal’s monumental choral work Oratorio Terezin interpreted by the Vanier College Choir.
From April 10 to 17, Vanier College held numerous activities about the history and the horrors of the Holocaust. Mrs. Fazal came to talk about her piece as it was chosen to be performed in a benefit concert for the Vanier College Foundation. On May 4 at Place des Arts, the Vanier College Choir, along with three other choirs, the Amati Orchestra and three soloists will join together for the Montreal premiere of Oratorio Terezin.

Conductor Erica Phare will be leading Vanier’s and the McGill Conservatory Youth Choir. “I was blown away by this piece when I first heard it,” said Mrs. Phare, who’s well known in the music department at Vanier College. “We hear hope, especially in the children’s voice.”

Mrs. Fazal then came to the stage to talk about her composition. When asked how the idea for her piece came about, she answered that it “grew out of a gift.” She explained to the audience that a German colleague of hers gave her a poetry book written by children who perished at Auschwitz titled I never saw a butterfly. “I was so touched by the poems. It’s hard to believe that children actually wrote such horrendous stories.”

Once she finished reading the book, she put it back on the shelf, but one year later, something amazing happened. “I was home, not doing anything in particular, I turned my head and suddenly I saw the book jumped back from the shelf. It was like I had to make something out of it.” It was after this moment of divine intervention that Ruth Fazal started to work on what was to become Oratorio Terezin.

(Photo: Robert Del Tedici)

(Photo: Robert Del Tedici)

<@CP">(Photo: Jacques Pharand)

Affichage des photos

Vos commentaires

Chroniqueurs

Chez nos voisins


La question du net


Liens